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"THE THRILL OF REEL FILM" - FOR ALL YOUR OLD & NEW SUPER 8MM & STANDARD 8MM REQUIREMENTS
THE OLD FILM COMPANY - The U.K's Super 8mm & Standard 8mm One Stop Online Shop / THE OLD FILM COMPANY SECOND HAND FILM LISTS ***NOVEMBER 2025***
16MM
To purchase any of the films on this page you can either 'Copy & Paste' or type the film(s) you wish to purchase into a email using the link below if you have email software such as Microsoft Outlook or equivalent.
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FILMS ON THIS PAGE ARE ALL 16MM COLOUR AND SOUND UNLESS STATED OTHERWISE


(A) = VERY GOOD. (B) = GOOD TO AVERAGE. (C) = FAIR. (D) = POOR
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CARTOON DOUBLE BILL 400FT OPT. SOUND COLOUR & B/W (B) £24.99 CLUTCH CARGO, SPINNER AND PADDLEFOOT - THE RACE CAR MYSTERY 28 (COL.). A writer and a pilot is sent around the world on dangerous assignments! Accompanying him are his young ward Spinner and his pet dachshund, Paddlefoot. This show is infamous for it’s use of the "Syncro-Vox" technique, which superimposes live-action human lips over limited-motion animation cells. Director: Phil Booth. Episode Aired: 1959. THE DICK TRACY SHOW - SEASON 1, EPISODE 60: LIGHTHOUSE CREEPERS (B/W). Tracy sends Go Go Gomez to Lighthouse Point where someone is bringing in black market goods. Directors: Abe Levitow & Grant Simmons. Episode Aired: 1961.
ABBOT AND COSTELLO in ‘RIOT ON ICE 400FT OPT. SOUND B/W (C/B) £19.99 A 16mm edit from the feature film, ‘Hit The Ice’ from 1943 where two newspaper photographers get mixed up with gangsters at a ski resort.
ST LEDGER ROOF Featuring HOWARD AND WAYNE: SENSATIONAL ENTERTAINERS 400FT OPT. SOUND B/W (B) £24.99 Includes the song, ‘About a Quarter to Nine’. Note: If you get offended by blackface do not purchase!
ENGLAND, GROSSE & ASSOCIATES LTD 1600FT OPT. SOUND COLOUR (B) £39.99 CONSUMER & INDUSTRIAL MARKET RESEARCH. Includes the skills of being an interviewer with the focus very much on women. Pegasus Research about various products. Note: Colour has an orange cast.
BUREAU OF NATIONAL AFFAIRS: THE BERLO EFFECTIVE COMMUNICATION SERIES 1600FT (Approx. 900ft of film) OPT. SOUND COLOUR (B/C) £39.99 "AVOIDING COMMUNICATION BREAKDOWN". BNA Films Presentation 1965. Note: Colour has a pink cast.
COLIN FINBOW EARLY AMATEUR 16MM SHORT: GHOST OF ESCAPED CONVICT 400FT. Magnetic Sound, Colour, (C). £39.99 An early film shot by English Screenwriter and Film Director Colin Finbow. A charming short about a group of young lads that think they are being haunted by the Ghost of an escaped convict. But are they? Film Stock: Agfa-Gevaert A-G S 558. Note: Opening few feet damaged and some scratches.
COLIN FINBOW & DAVID WEEKS EARLY AMATEUR 16MM SHORT: THERE'S A FRIEND FOR LITTLE CHILDREN - CHRISTOPHER COOK 400FT. Silent, Colour/B&W. (C). £39.99 An early film shot by the famous English Screenwriter and Film Director Colin Finbow. The story of 5-year-old Christopher Cook who can only see in black & white and gets a fishing rod for his birthday with tragic consequences. Film Stock: Kodak K4X (Triangle, Circle = 1966), Kodachrome II (Cross, Cross = 1968). Directed by: Colin Finbow. Written and Produced by: David Weeks. Camera: Christopher Jenkins. Cast: Christopher Burfield (The Boy), Betty Saunders (His Mother). Note: Heavy Scratch left side for a few seconds.
MINDER (ARTHUR DALEY) 16MM POSITIVE (REVERSAL) MASTER MUTE DUPING PRINTS 1600FT SILENT COLOUR *(B) £39.99 This consists of 2 x Minder 'Part 2' Positive Master Mute Duping Prints from two different episodes (sorry I couldn't tell you which episodes) from Rank Film Laboratories. Both Leaders & Tails intact. These were originally mounted on 2 x 16mm cores, but so they could be projected & checked I've mounted them both on a 1600ft reel. Please Note: I have not spliced them together though so not to damage either Leader or Tail. *NOTE: Most of the footage has nice colour and free from scratches, other than occasionally for a few random feet at a time you do get green horizontal scratches/blotches (Not leader/Start where it's more in the centre). Occasionally during the actual footage there is a green scratch on the far right of the frame which you can see when holding the film directly to the light but cannot see during projection as that part of the frame is not projected. Well, it isn't on my Bauer which I use for 16mm film grading so hopefully this is also the case with other 16mm projectors.
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